The Architecture of Immediacy: Linguistic and Technical Foundations of Modern Broadcast Journalism

Authors

  • Ms. Rashmi Singh

Keywords:

philosophy alongside, Consequently, registers immediately, one sentence, paramount, Structure and Cognitive

Abstract

The transition of information from print to broadcast media represents a fundamental shift from visual literacy to oral and visual engagement. This article explores the dual pillars of effective broadcasting: the linguistic discipline of "writing for the ear" and the technical precision of audio capture. By analyzing the KISS (Keep It Short and Simple) philosophy alongside the mechanics of microphones as transducers, this study delineates how broadcasters maintain clarity and "immediacy" in an ephemeral medium. Furthermore, it examines the evolution of radio from a government-controlled monopoly to a diversified landscape of FM and Community Radio, emphasizing the medium's role as a tool for social development.

References

• Secretary, Ministry of Information & Broadcasting v. Cricket Association of Bengal, (1995) 2 SCC 161.

• Joshi, P. C. (1985). An Indian Personality for Television: Report of the Working Group on Software for Doordarshan. Ministry of Information and Broadcasting, Government of India.

• Hilliard, R. L. (2014). Writing for television, radio, and new media (11th ed.). Cengage Learning.

• Hausman, C., Benoit, P., & Messere, F. (2019). Modern radio production: Production, programming, and performance (10th ed.). Wadsworth Publishing.

• Stephens, M. (2004). Broadcast news (4th ed.). Harcourt Brace Jovanovich.

• Alten, S. R. (2013). Audio in media (10th ed.). Wadsworth.

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How to Cite

Ms. Rashmi Singh. (2019). The Architecture of Immediacy: Linguistic and Technical Foundations of Modern Broadcast Journalism. International Journal of Engineering Science & Humanities, 9(1), 41–45. Retrieved from https://www.ijesh.com/j/article/view/679

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