Archetypal Women Figures in Indian English Fiction

Authors

  • Rohit Kumar Solanki, Dr. Rohan Jha

Keywords:

archetypes, Indian English fiction, women figures, feminism, cultural identity

Abstract

The representation of women in Indian English fiction has undergone significant transformation over time, moving from stereotypical portrayals to nuanced depictions that reflect the complexities of gender, identity, and social change. A key approach to studying these portrayals is through the lens of archetypes—universal symbols and patterns rooted in mythology, folklore, and cultural imagination. Archetypal women figures such as the Mother Goddess, the Sati-Savitri (chaste wife), the Rebel, the Victim, and the Seeker reappear in Indian English novels, reinterpreted to mirror both tradition and modernity. Early writers like Mulk Raj Anand and R. K. Narayan tended to situate women within domestic and cultural archetypes, while later women novelists such as Anita Desai, Shashi Deshpande, Bharati Mukherjee, and Arundhati Roy reshaped these archetypes to foreground female subjectivity, resistance, and self-definition. This paper explores how archetypal figures evolve in Indian English fiction, tracing their transformation from idealized symbols of virtue to complex individuals negotiating patriarchy, colonialism, and globalization. It also highlights how feminist and postcolonial perspectives have reinterpreted archetypes, offering new ways of reading women’s roles in family, society, and nation. By analyzing select novels, the study argues that archetypal women figures in Indian English fiction provide both continuity and critique of cultural traditions, serving as mirrors of social reality while also challenging oppressive norms.

References

Anand, Mulk Raj. (1935). Untouchable. London: Wishart.

Anand, Mulk Raj. (1936). Coolie. London: Wishart.

Barthes, Roland. (1972). Mythologies. Trans. Annette Lavers. New York: Hill and Wang.

Desai, Anita. (1963). Cry, the Peacock. London: Peter Owen.

Desai, Anita. (1980). Clear Light of Day. London: William Heinemann.

Deshpande, Shashi. (1980). The Dark Holds No Terrors. New Delhi: Vikas.

Deshpande, Shashi. (1988). That Long Silence. New Delhi: Penguin Books.

Frye, Northrop. (1957). Anatomy of Criticism. Princeton: Princeton University Press.

Jung, Carl G. (1969). The Archetypes and the Collective Unconscious. Princeton: Princeton University Press.

Markandaya, Kamala. (1954). Nectar in a Sieve. London: Putnam.

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How to Cite

Rohit Kumar Solanki, Dr. Rohan Jha. (2016). Archetypal Women Figures in Indian English Fiction. International Journal of Engineering, Science and Humanities, 6(4), 18–24. Retrieved from https://www.ijesh.com/index.php/j/article/view/217

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