Religious Foundations of Indian Classical Dance Bharatanatyam, Kathak, and Odissi

Authors

  • Dr. Archna Thakur

Keywords:

Bharatanatyam, Kathak, Odissi, Religious Foundations, Indian Classical Dance

Abstract

Indian classical dance is deeply rooted in religious traditions, where performance is conceived as a spiritual offering and a medium of devotion. This study explores the religious foundations of Bharatanatyam, Kathak, and Odissi, three major classical dance forms that originated within temple traditions and evolved as expressions of worship. Bharatanatyam, from Tamil Nadu, is associated with Lord Shiva as Nataraja and emphasizes divine storytelling through mudras and abhinaya. Kathak, emerging in North Indian temples, began as the narrative art of kathakars who depicted episodes from the epics and Krishna Leela, reflecting the influence of the Bhakti movement. Odissi, from Odisha, is closely tied to the Jagannath temple and inspired by Jayadeva’s Gita Govinda, performed as ritual service to the deity. Despite regional variations, these forms share a sacred foundation where dance embodies devotion, mythology, and philosophy, highlighting the inseparable link between religion, art, and culture in India.

References

Tandon, R. (2005). Classicism on the threshold of modernity: expanding the physical parameters of Odissi Dance for contemporary audiences (Doctoral dissertation, Trinity Laban Conservatoire of Music and Dance/City University London).

Sikand, N. (2010). Dancing with tradition: A global community of Odissi dancers. City University of New York.

y Royo, A. L. (2007). The reinvention of Odissi classical dance as a temple ritual. The Archaeology of Ritual, 130.

Katrak, K. H. (2011). Innovations in contemporary Indian dance: From religious and mythological roots in classical Bharatanatyam. Religion Compass, 7(2), 47-58.

Chakravorty, P. (2000). From interculturalism to historicism: Reflections on classical Indian dance. Dance Research Journal, 32(2), 108-119.

Chakravorty, P. (2000). From interculturalism to historicism: Reflections on classical Indian dance. Dance Research Journal, 32(2), 108-119.

Thobani, S. (2012). Dancing diaspora, performing nation: Indian classical dance in multicultural London (Doctoral dissertation, University of Oxford).

Narayan, S. (2011). The sterling book of indian classical dance. Sterling Publishers Pvt. Ltd.

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How to Cite

Dr. Archna Thakur. (2013). Religious Foundations of Indian Classical Dance Bharatanatyam, Kathak, and Odissi. International Journal of Engineering, Science and Humanities, 3(3), 09–19. Retrieved from https://www.ijesh.com/index.php/j/article/view/163

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